‘Lean On Me,’ ‘Lovely Day’ singer Bill Withers dies at 81

‘Lean On Me,’ ‘Lovely Day’ singer Bill Withers dies at 81

Bill Withers, who wrote and sang a string of soulful songs in the 1970s that have stood the test of time, including “ Lean on Me, ” “Lovely Day” and “Ain’t No Sunshine,” has died from heart complications, his family said in a statement to The Associated Press. He was 81.

The three-time Grammy Award winner, who withdrew from making music in the mid-1980s, died on Monday in Los Angeles, the statement said. His death comes as the public has drawn inspiration from his music during the coronavirus pandemic, with health care workers, choirs, artists and more posting their own renditions on “Lean on Me” to help get through the difficult times.

“We are devastated by the loss of our beloved, devoted husband and father. A solitary man with a heart driven to connect to the world at large, with his poetry and music, he spoke honestly to people and connected them to each other,” the family statement read. “As private a life as he lived close to intimate family and friends, his music forever belongs to the world. In this difficult time, we pray his music offers comfort and entertainment as fans hold tight to loved ones.”

Adam Schlesinger, Songwriter for Rock, Film and the Stage, Dies at 52

Adam Schlesinger, Songwriter for Rock, Film and the Stage, Dies at 52

He made suburban characters shine in Fountains of Wayne songs and brought pop-rock perfection to the Tom Hanks film “That Thing You Do!”

Adam Schlesinger, an acclaimed singer-songwriter for the bands Fountains of Wayne and Ivy who had an award-winning second career writing songs for film, theater and television, died on Wednesday in Poughkeepsie, N.Y. He was 52.

The cause was complications of the coronavirus, his family said.

In Fountains of Wayne, which was started in 1995, Mr. Schlesinger and Chris Collingwood perfected a novelistic form of hummable pop-rock in a style derived from the Kinks and from 1970s groups like Big Star and the Cars.

They chose northern New Jersey and boroughs outside Manhattan as thematic territory, chronicling the lives of suburban mall shoppers, Generation X slackers and down-market cover bands in songs like “Hackensack” and “Red Dragon Tattoo.”